Daniel van Straalen starts a game with the mind of the viewer. By using images that are immediately recognizable, he offers an opportunity to interpret his work. At the same time, this possibility is also a deception: what is immediately recognized offers no more room for other associations. This also raises questions about authenticity, one of the key elements in Van Straalen's work. He investigates what authenticity still entails in a world dominated by the internet. Does it even matter what 'real' is and what 'fake' is, or who was the 'first' who came up with a certain idea?
Daniel van Straalen lives and works in The Hague (NL).
2022 | Meme-a-lism, Stigter van Doesburg, Amsterdam |
2019 | 7 year old me, Nest, with Wim T Schippers, Den Haag |
2018 | Making Money For My Friends, Bonnefantenmuseum, Maastricht |
2017 | DAMA — Turin |
2017 | Slow Heavy Metal Music Playing — Stigter van Doesburg, Amsterdam |
2017 | Who Are They? — Hawaii Lisbon Gallery, Lissabon |
2017 | Vishal — Haarlem |
2017 | Vishal - Haarlem |
2017 | Who Are They?, Hawaii Lisbon Gallery, Lissabon |
2017 | Slow Heavy Metal Music Playing, Stigter van Doesburg, Amsterdam |
2015 | – refrigerators and other multiple verticals – Stigter van Doesburg, Amsterdam |
2015 | Hijacking Karma #3 - Stigter van Doesburg, Amsterdam |
2015 | Hijacking Karma #2.1 - Stigter van Doesburg, Amsterdam |
2015 | Hijacking Karma #2 - Nest, Den Haag |
2014 | – Backspace – Stigter van Doesburg, Amsterdam |
2013 | Hijacking Karma (in a positive way) - Oude Kerk, Amsterdam |
2022 | Art Rotterdam, Stigter van Doesburg, Rotterdam |
2020 | Unfair - Westergas Fabriek, Amsterdam |
2020 | Art Rotterdam, Rotterdam |
2019 | 7 year old me - Nest, Den Haag (with Wim T Schippers) |
2019 | Towards The Last Unicorn — 55SP, São Paulo |
2019 | Baitball - Palazzo San Giuseppe - Polignano a Mare, Naploli |
2019 | Medieval minded - Stigter van Doesburg, Amsterdam |
2019 | Aankopen 2017 - De Nederlandsche Bank, Amsterdam |
2019 | Art Rotterdam, Rotterdam |
2018 | Stars dig holes in space, Spatiu intact, Cluj, Romania (with Julian Anderweg) |
2018 | Art Amsterdam — Stigter van Doesburg, Amsterdam |
2018 | Arco Lisboa — Hawaii Gallery, Lisbon |
2018 | Everything — Assembly Point, Londen |
2018 | Coalescence — MAH Museum, Azoren |
2018 | Hollandse Nieuwe — Stedelijk Museum Schiedam, Schiedam |
2018 | Pizza is God — NRW Forum, Düsseldorf |
2018 | 1381 Swan — Hazenstraat Biënnale - Martin van Zomeren, Amsterdam |
2018 | [Titel] — MACE Museum, Lisbon |
2018 | Making Money For My Friends — Bonnefantenmuseum, Maastricht |
2018 | Koninklijke Prijs voor Vrije Schilderkunst — Paleis Amsterdam, Amsterdam |
2017 | Aankopen 2016 - De Nederlandsche Bank, Amsterdam |
2017 | Arco Lisboa — Hawaii Gallery, Lisbon |
2017 | Wild Flowers — Iraqui Galerie, Moscow |
2017 | Art Rotterdam, Rotterdam |
2017 | Wild Flowers (wildness is contextual!) — Narrative Project, Londen |
2016 | Star Digs Hole in Space — Spatiu Intact, Cluj (with Juliaan Andeweg) |
2016 | Office Culture — X BANK, Amsterdam |
2016 | Inflatable Aesthetics — Hawaii Gallery, Lisbon |
2016 | Unseen Amsterdam — Stigter van Doesburg, Amsterdam |
2016 | The Works Don’t Gel — Galerie Juliètte Jongma, Amsterdam |
2016 | Amsterdam Art Fair, Amsterdam |
2016 | Art Rotterdam, Rotterdam |
2015 | Making monsters for my friends, de Nederlandse bank, Amsterdam |
2015 | Urbi et Orbi, Durst Britt Mayhew gallery, Den Haag |
2015 | Officielle Paris, Paris |
2015 | Liste Basel - Art Basel, Basel |
2015 | Unseen Amsterdam — Stigter van Doesburg, Amsterdam |
2014 | Disaster date, Leo XIII, Tilburg |
2014 | How soon is now? Manifesta Office, Amsterdam |
2014 | A.O. Martin van Zomeren, Amsterdam |
2014 | Gran turismo _ we play on difficult, Boetzelaer Nispen, Amsterdam |
2013 | Porphyry in the attic just above the kitchen floor, Barbershop, Den Haag |
2013 | GEM Now or never, Gemeentemuseum, Den Haag |
2012 | Fast is good for us, 1646, Den Haag |
2012 | Primal Force, U.H.M., Den Haag |
2012 | P.U.F. – Pula Film festival, Pula, Croatia |
2012 | Uitgelicht #23, Filmhuis, Den Haag |