Tariq Alvi’s work is highly intuitive and defined by elaborate, thought-provoking, and politicized collages. Alvi recycles and re-contextualizes found printed matter in an undisputedly idiosyncratic manner as he habitually draws from newspaper and magazine advertising, in addition to ephemera of the everyday. Producing both small-format works on paper and large-scale installations alike, Alvi's meticulously assembled cutouts involve a labor-intensive process of dissection first and reconstruction later. Paper cutouts of jewelry are gathered and arranged in the likeness of a patterned carpet, for example, while bank brochures are diced up and reworked as charming paper flowers.
The works thus comprising Alvi’s oeuvre not only reconsiders the worth of disposed paper products, but it also points to the importance of neglected quotidian objects—logs, tree trunks, and coins, among other items, combine with the collages and subsequently meditate on themes of consumerism, economy, desire, and commercialism.
Tariq Alvi lives and works in London (UK).
2017 | Reaching For The Beginning, Michael Benevento Gallery, Los Angeles |
2014 | Backspace, Stigter Van Doesburg Gallery, Amsterdam |
2014 | Deep, East, Real, Michael Benevento Gallery, Los Angeles |
2010 | XX, Michael Benevento Gallery, Los Angeles |
2009 | Hanging Matters, 2nd Floor Projects, San Francisco |
2009 | The Meaning, Chisenhale Gallery, London |
2009 | Badischer Kunstverien, Karlsruhe, Germany |
2007 | Everybody Everywhere, Cabinet, London |
2005 | Super Pride and Super Prejudice, Wattis Institute, San Francisco |
2003 | Terms and Conditions, Galerie Diana Stigter, Amsterdam |
2002 | Cabinet, London |
2001 | Temporary Accommodation, Whitechapel Art Gallery, London |
2000 | Gate Foundation, Amsterdam NL |
2016 | Marriage, Queer Thoughts, New York |
2015 | Duh? Art & Stupidity, Focal Point Gallery, Southend-on-Sea |
2013 | Why Is Everything The Same? Shoot the Lobster, New York |
2012 | Twin Town, The Korean Cultural Centre |
2012 | On the Correct Handling Of The Contradictions Among The People, Cabinet Gallery, London |
2012 | Jean Cocteau, curated by Marc Camille Chaimowicz, "30 Rooms / 30 Artists", Kunstverien Nuremberg |
2012 | Oxford White Cotton, Cabinet Gallery, London |
2010 | The Eleventh Hour, Tang Gallery, Beijing |
2009 | Everywhere, Sexual Diversity Policies in Art, CGAC, Galicia, Spain |
2007 | Open Space, Art Cologne, Germany |
2006 | Verisimilitude, The gallery at Wimbledon School of Art, London |
2006 | Wandering Star, Gana gallery, Seoul, |
2006 | Frieze Art Fair, Cabinet and Diana Stigter Gallery, London |
2005 | In the Neighbourhood of Infinity, Sixteen to One Gallery, Los Angeles |
2005 | Monuments for the USA, Wattis Institute, San Francisco |
2005 | Open Walls, White Columns, New York |
2005 | Between the Lines, Daniel Reich Gallery at the Chelsea Hotel, NY |
2004 | I can c my way Home, Space X, Exeter, UK |
2004 | Shanghai Biennale, Shanghai Museum of Modern Art, China |
2003 | Tender Prey, Arti et Amitcae, Amsterdam |
2003 | La Cinca Project, Veemvloer, Amsterdam |
2002 | Hotel Sub Rosa, Marc Foxx Gallery, Los Angeles |
2001 | Prodigal Prodigy, White Box, New York |
2001 | Sous-Titree X, University of Rennes, France |
2001 | Hemorrhaging of States, Tent, Rotterdam, NL |
2000 | John I’m only Dancing, Margaret Harvey Gallery, St. Albans UK |
2000 | Dare to Dream, Fringe Festival, Hong Kong |
2000 | Unlimited N.L. 3, De Appel, Amsterdam |
2000 | And if there were no stories, Stephen Friedman Gallery, London |
2000 | John I’m only Dancing, Collective Gallery, Edinburgh, |
2000 | Protest and Survive, Whitechapel Art Gallery, London |